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Madagascar, by Gian Paolo Barbieri
Download PDF Madagascar, by Gian Paolo Barbieri
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Refer to Taaschen.
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Product details
Hardcover: 124 pages
Publisher: Harpercollins; First Edition edition (October 1, 1995)
Language: English
ISBN-10: 1860460852
ISBN-13: 978-1860460852
Product Dimensions:
11 x 0.8 x 13.2 inches
Shipping Weight: 3.6 pounds (View shipping rates and policies)
Average Customer Review:
4.1 out of 5 stars
7 customer reviews
Amazon Best Sellers Rank:
#2,686,324 in Books (See Top 100 in Books)
Stunning photos. Some of the reviews complain about a lack of social veracity in the photos, but this is the work of a master photographer, not a sociologist. It is a photo book, not an evaluation of the social fabric and environmental challenges currently facing the people of Madagascar.
High Art Fotos
Amazing
Having travelled in Madagascar, I was very interested to see Barbieri's book, MADAGASCAR, advertised by a bargain books dealer. I've always been fascinated by that faraway red island of Afro-Indonesian culture, lemurs, and chameleons. Since I'd read a number of good books about the place, none of which had extraordinary pictures, I thought this book would be an excellent addition to my small collection. I thought wrong.While I have to admit that Mr. Barbieri is an excellent photographer, with long experience in the world of fashion, I took strong objection to his way of portraying Madagascar. Some magnificent photographs of the world of nature, some portraits, and a few pictures of unusual objects are interspersed with what can only be described as homo-erotic photographs. I have nothing against that either, a Mapplethorpe is a necessary part of modern culture. What I DO object to is such photographs being in any way called "a picture of Madagascar" with absolutely no personal agenda mentioned. This is totally dishonest. Thus, this is a very dishonest book. Producing self-indulgent romantic fantasies is fine if the audience is aware of what is being done, but to pass off such stuff as being "about" a poor country inhabited by hospitable, cheerful people with intricate customs and traditions, people who are extremely modest in dress and behavior for the most part---this is an exercise in exploitation. At the very least we should have been told how these pictures were made. In colonial times, many writers and artists produced romantic works about far off colonies. These were then used to show how "happy and contented" the people were under colonial rule. In the introduction, reference is made to Paradise ! Give me a break ! What is the agenda here ? If someone says, "Come on, man, it's just a great collection of pictures." then they have failed to grasp the cultural dialogues of the last 40 years, they cannot see how people with technology and media access can so easily exploit those without. I absolutely don't recommend this book.
I meant to give a rating below 1 Star but since this is the lowest, I hope that potential readers won't throw away their hard earned cash in buying this book. If you still want to buy it, go to your local bookstore as you will have a greater chance of finding a DUSTY copy of this book: ... ... G.P. Barbieri is without contest a good snapshooter if one judges it from the TECHNICAL quality of his work. But where he fails is in his intellectual honesty: How could ... a book [like this be about ]Madagascar if it only contains mediocre nude or semi-nude works done at few huts at the shore of Madagascar? I think and agree with many readers ... that not only exploited and disrespected his subjects by including them in the wrong publication, but he has also made a disservice for all photographers out there who at least have the decency of intellectual honesty and respect to the art. But then, ... what is art and what isn't?
Barbieri's usual subjects are, presumably, fashion models: his lens carrsesses the sensual bodies - often naked - that he has found in Madagascar in a similar way. Lots of men, some women and children lounge about in apparent luxury. Unfortunately in portraying them in this way Barbieri glamourises a way of life which might not be so glamourous for the participants. A shot of a graphite miner coated in dust, for example, makes him look heroic and beautiful. But, in reality, who wants to lead a life coated in dust down a mine? Barbieri needs to get over feminising the Other; it's old hat.
... wrote John Keats, who might have been referring to this book, which is simply overflowing with incredible (human) beauty.
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